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Me We\1654\16370\2\0\Ilg9S0_t7Z4\https://blog.kakaocdn.net/dn/bP08S2/btrgFSGtvNA/HKb8TVuzyAOOQPgKrrvIA0/img.jpg\
Me We 정보
작사 작곡 편곡
Youtube Official
Me We 가사
This is an introduction to who I be
and where i'm from in 81 that's
when ma life had just begun
Run DMC was on the mic
that shit was tight put your adidas up
and throw your shoe laces
to the right disco braids
with the beads I heard to 2 Live
C's obscenitites had them
fightin for their right
to speak they mind freely freedom
of speech became
hiphop's nessicity where
would I be without the right
to express all my feelings
truthfully now back to life
Soul To Soul took control
keep on movin
and don't stop until the world
starts to feel hiphop now
don't believe the hype
it ain't about the negativity
Cool J introduced
the sensitivity of rap
remember way back
when Salt and Pepper had
you pushin it
and Jiggy let you know
that parents wasn't understandin it
that's how my life began
in the world of hiphop
I gotta thank my pops
for blessing me
with what he got
here we go
here we go
here we go
here we go
two turntables and a microphone
어디로 어디로 어디로 어디로
i'm just freestyle
in off the top of my dome
here we go
here we go
here we go
here we go
two turntables
and come the play my song
어디로 어디로 어디로 어디로
here we go uh keep keep it on
till the break of dawn
The second verse begins when
I was at the age of ten
when Cube was on the mic
he sold about mill then
and we can't forget about
Biz Markie's just a friend
put up your hands
and throw em left to right
when Kid'n'
Play was just too hype now
in my younger days
I used to sport a shag
and every other gansta
had a different color rag now
it was then
that everybody seemed like
they was in a trance
Digtal Underground introduced us
to the humpty dance summer jam
brought us
back to the since of unity
we used to have
BBQs in everyone
community that's why
I thank the Lord
for blessin me with what
I got and I gotta pops
for blessing me with was
I got So Choiza from the top
here we go
here we go
here we go
here we go
two turntables and a microphone
어디로 어디로 어디로 어디로
i'm just freestyle
in off the top of my dome
here we go
here we go
here we go
here we go
two turntables
and come the play my song
어디로 어디로 어디로 어디로
here we go uh keep keep it on
till the break of dawn
from Harlem to Jamaica
Puerto Rico to Venezuela
all around the world
with that brand new flava
in your ear from to here to
El Segundo Imma take ya back where
Q-tip's wallets at fulla Soul
De La fat menace to society
southern playalistic cadillacs
Classics what we called it
that no ice blings
or nice things irrelevant yo
if you wack
my peoples are you
with me where you at rite here
from 93 till infinity hiphop was
solid but never will forget
what Tupac and Biggie Smalls
did ain't no mystery
why they be goin down in history
much respect due
to the legends of this industry
here we go
here we go
here we go
here we go
two turntables and a microphone
어디로 어디로 어디로 어디로
i'm just freestyle
in off the top of my dome
here we go
here we go
here we go
here we go
two turntables
and come the play my song
어디로 어디로 어디로 어디로
here we go uh keep keep it on
till the break of dawn
and where i'm from in 81 that's
when ma life had just begun
Run DMC was on the mic
that shit was tight put your adidas up
and throw your shoe laces
to the right disco braids
with the beads I heard to 2 Live
C's obscenitites had them
fightin for their right
to speak they mind freely freedom
of speech became
hiphop's nessicity where
would I be without the right
to express all my feelings
truthfully now back to life
Soul To Soul took control
keep on movin
and don't stop until the world
starts to feel hiphop now
don't believe the hype
it ain't about the negativity
Cool J introduced
the sensitivity of rap
remember way back
when Salt and Pepper had
you pushin it
and Jiggy let you know
that parents wasn't understandin it
that's how my life began
in the world of hiphop
I gotta thank my pops
for blessing me
with what he got
here we go
here we go
here we go
here we go
two turntables and a microphone
어디로 어디로 어디로 어디로
i'm just freestyle
in off the top of my dome
here we go
here we go
here we go
here we go
two turntables
and come the play my song
어디로 어디로 어디로 어디로
here we go uh keep keep it on
till the break of dawn
The second verse begins when
I was at the age of ten
when Cube was on the mic
he sold about mill then
and we can't forget about
Biz Markie's just a friend
put up your hands
and throw em left to right
when Kid'n'
Play was just too hype now
in my younger days
I used to sport a shag
and every other gansta
had a different color rag now
it was then
that everybody seemed like
they was in a trance
Digtal Underground introduced us
to the humpty dance summer jam
brought us
back to the since of unity
we used to have
BBQs in everyone
community that's why
I thank the Lord
for blessin me with what
I got and I gotta pops
for blessing me with was
I got So Choiza from the top
here we go
here we go
here we go
here we go
two turntables and a microphone
어디로 어디로 어디로 어디로
i'm just freestyle
in off the top of my dome
here we go
here we go
here we go
here we go
two turntables
and come the play my song
어디로 어디로 어디로 어디로
here we go uh keep keep it on
till the break of dawn
from Harlem to Jamaica
Puerto Rico to Venezuela
all around the world
with that brand new flava
in your ear from to here to
El Segundo Imma take ya back where
Q-tip's wallets at fulla Soul
De La fat menace to society
southern playalistic cadillacs
Classics what we called it
that no ice blings
or nice things irrelevant yo
if you wack
my peoples are you
with me where you at rite here
from 93 till infinity hiphop was
solid but never will forget
what Tupac and Biggie Smalls
did ain't no mystery
why they be goin down in history
much respect due
to the legends of this industry
here we go
here we go
here we go
here we go
two turntables and a microphone
어디로 어디로 어디로 어디로
i'm just freestyle
in off the top of my dome
here we go
here we go
here we go
here we go
two turntables
and come the play my song
어디로 어디로 어디로 어디로
here we go uh keep keep it on
till the break of dawn
Gemini
윤미래 (윤미래, Natasha Shanta Reid)
2002.05.01
앨범설명
2001년 발매한 첫 솔로앨범 [As Time Goes By]을 통해 R&B 보컬리스트로써 성공적인 홀로서기를 한 윤미래. 그로부터 1년 뒤인 2002년 발매된 [Gemini]는 보컬이 아닌 랩퍼 윤미래로 돌아온 그녀의 야심작이다. 1집에 이어 박근태가 프로듀싱를 맡았고, 국내에서 내노라하는 힙합 아티스트들과 일본의 유명 아티스트가 참여하며 힙합 매니아들의 화제 속에 앨범은 발매되었다.
윤미래가 직접 작사, 작곡 프로듀싱에 참여한 "G火자"를 시작으로, CB Mass가 참여한 "Me We"를 비롯해 Blu Cantrell의 "The One"을 새롭게 재해석한 "Memories... (Smiling Tears)"는 그녀의 파워풀한 랩과 일본의 보컬리스트 'Sakura'의 소울풀한 목소리의 조화가 원곡을 뛰어넘는 완벽한 콜라보레이션을 선보였다. 이 외에도 바비킴이 피쳐링한 "끝없는 바다 저편에...", 타샤니의 멤버 애니와 함께한 "남자 남자 남자" 등 화려한 참여진 속에서 그녀의 랩은 지루할 틈 없이 다양한 면모로 앨범을 채우고 있다.
하지만 앨범이 발매와 동시에 좋은 반응을 보이고 있을 즈음, 전 소속사로부터 업타운 마약사건을 이유로 5억원 손해배상 소송을 당하며 몇 년간 활동하지 못하는 상황에 놓이게 되었다. 이런 악재에도 불구하고 그녀의 앨범은 힙합 팬들의 꾸준한 사랑을 받으며 현재까지도 손꼽히는 명반으로 불리고 있다. 2011년에는 MTV가 선정한 전 세계 최고의 여성랩퍼 중 TOP 12위에 이름을 올리는 등 여전히 한국을 대표하는 여성 래퍼로서 확실한 위치에 있는 그녀! [Gemini]는 그녀의 자신감 넘치는 독보적인 랩이 거침없이 담겨있는 명반이다.
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